A closer look at the works of Irish painter Anne Magill - The power of story – its a topic that’s permanently on my mind so I’m drawn to it, or naturally seek it out in any medium. Recently I was listening to some instrumental music that was made even more compelling because the artist, a guitarist, told a story with his musical pieces, without the use of words. In this case though, its paintings. Anne Magill’s work is in focus as she tells visual stories with her canvasses. She’s been described as the “female Jack Vetrianno”, but in my opinion she’s better than him, simply because – rather than forming re-imaginings – she employs fewer colours, adopting a subtler approach, making her work seem more like old photographs … or just someone else’s half-recalled memories. Maybe it’s my fascination with history, nostalgia and sentiment that makes her work appeal to me all the more, or appeal to anyone interested in pockets of time, or glimpses into lost moments or just the overall ideas she communicates… whatever the case, here is some of her work. Enjoy. "I'm more interested in atmosphere rather than the specific idea of a person in the landscape. And I am fascinated by the essence of old photos. When I was young we had few photos in the house but I loved the glow of those that were fading, like memories. Sometimes I add the soil of a certain place to the paint and use it in the background." - Anne Magill {Interview - Belfast Telegraph, 2010. "I’ve always been drawn to creating a picture that tells a story “When I first encountered Anne Magill’s paintings it took me a while for my eyes to find their focus. As if the characters were emerging from memory, or fading into it. They put me in mind of those late-Victorian photographs, like Whitlingham Vale by G. Christopher Davies, in which a ghostly boat eases its way along a winding river, or P.H. Emerson’s At the Ferry – A Misty Morning, in which a milk cart stands at the water’s edge. Anne’s paintings seem to occupy a similar, half-dreamed territory. A hazy place, both powerfully present and weighed-down with the past.” --- Mick Jackson For more of Anne Magill's work, as well as her background information, visit her official website: www.annemagill.com [Image Credits: www.annemagill.com]
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Artist Feature: Saul Leiter (1923-2013) is one of the foremost photographers in the history of the medium, described as an iconoclast, he came to prominence in the early 50's through his use of color, showing that Black and white photography was not a sacred thing. - Usually I include a brief summary of the artist, their biography etc. but in light of Leiter's quote from an interview shortly before he died (in 2013), I'll keep the words to a minimum, and let the photos, his work, speak for itself... from me, it must be said though, it's hard to find a photo that I don't like.
"You’re going to write about my work? Really, and I mean this, the less said the better."
“LEITER WAS PERHAPS THE MOST INTERESTING OF THE FIFTIES COLOR PHOTOGRAPHERS in his use of form…. The overriding emotion in his work is a stillness, tenderness, and grace that is at odds with the mad rush of New York street life.”
—The New Yorker “I LIKE IT WHEN ONE IS NOT CERTAIN WHAT ONE SEES.”
The TRAILER to the documentary film on Saul Leiter "IN NO GREAT HURRY: 13 lessons in life with Saul Leiter" (2012) :
After his death in November of 2013, the Guardian Newspaper described him as "one of the quiet men of American photography. A pioneer of colour... relatively unsung until he was rediscovered by curators and critics in his early 80s".
"I much prefer to drink coffee, listen to music and to paint when I feel like it."
"A window covered with raindrops interests me more than a photograph of a famous person." The quest to understand, or to wander, or do both... *** I close my eyes and cover my face because it feels like I’m clutching at straws, and because I know I’m not the only one banging my head at this same old proverbial door. If one could see my mind’s eye, I assume, it would look like my physical eyes, tired and reddened from too many late night hours. Hitherto, art and “inspiration” can often be described as (and forever it will be) … a poisoned chalice to my grimacing lips. Sweet and richly rewarding, but also tempting and all consuming, like a labyrinth, luring you in, only to hold you there in a deluge of sometimes false insight and glimmers of hopes and truths that also sometimes disappear just as quickly as you reach out to grasp them. The realms behind - Could it be that art is something apart from us… that we remain the same simple beings, but that some of us are gifted with the ability to tap into this realm…? That the talents we possess are there to enable us to peel back our plain reality and existence to reveal what lies beyond it. And that the subject of this revelation is something apart from us, yet we are inexorably linked to it. That artists are simply some kind of strange gatekeepers to the intangible, interpreters of a realm beyond our grasp. But that all we do is the act – that Art simply is the act of revealing. I’ve asked the question before of ‘why we thank God for our own accomplishments’… well, it leads me to think of Michelangelo who said "Every block of stone has a statue inside it and it is the task of the sculptor to discover it.” Some time ago I wrote a piece entitled “The Future of Art” which included a somewhat somber but no less hopeful and objective look at the art world; what it is now, compared to what it was. It came to mind as I read a recent article by my friend David Martinez Romero (Here) in which he quotes Hegel stating that art has lost the immediacy it had in the glory days… With this we’re led to the exploration of what art actually is, and why we feel the way we feel, because it has and always will be entwined with our emotions, as much as our imagination. Now I have constantly ‘watched’ myself in the way I approach issues (not to be apologetic in my manner, but just self conscious) knowing that many or most people do not take things so seriously, but I am reassured when with my colleagues (other artists, writers) because it is our role to take these things seriously, because if we didn’t, who else would? So what is art, essentially… and why is this important? At its core, is creativity… But more than that, it is ambitious, or inspirational creativity – encompassed by a goal, a desire to get there, to achieve something, to do, to make… something that needs no other purpose, but to exist. A work of art doesn’t need to inspire the onlooker, or invoke an emotion or feeling , because the world of art exists within the abstract. To connect with something, or form something that cannot be fully defined and explored in the physical and finite world. Art exists because there exists within us the ability of abstract thought. That although we are finite beings (in one body/mind, living a mortal existence) we seem to have abilities that reach well beyond us – But for what reason, what purpose? And we might say that it is the link to the spiritual world (or a remnant, a clue to something more than this life – even if we choose to ignore it), the question alone is worth exploring… but being ready for whatever answer comes our way, this is another matter entirely, a matter which requires you to ready your heart. Mind you, to reach this place is not easy. Why do we all have different talents and abilities? That one person has the ability to perform immense and complex equations whilst another can render a detailed and immaculate sketch – it comes across as an eerie kind of randomness. Precision and abstract beauty coming from each individual, like various colours making the tapestry of our humanity… viewed from close it looks like a mess, but step back and the image begins to make a little more sense. But why does this exist? – Again the question is inspiration itself. Of course artists may explore any issue, minute or infinite, material or intangible… all for his or her own pleasure, to explore the abilities they have found within, and though they may not know or understand why they have a particular talent, they are at peace with the fact that they have it, and that it in some way defines who they are or signals their purpose in this life. I would put it to you that the creative ability we possess is merely a reflection of the same infinite ability present in our creator. He made us in his image, and just as we look around us, and the world, we see many things that apparently have little to no purpose (in our lives, other than aesthetic appeal), other than to simply exist. Mountains and embankments covered in new blossoms that on any given day can go unseen by human eyes, yet they are there, they exist, with or without our knowledge or sight. Why did God make them, why did he make us? Is it simply for his own pleasure? Is that not why we create, for own pleasure and recognition, to distinguish ourselves from others? Pleasure is present, but I am not saying that there will not be turmoil and pain within the process, that it will only be pleasurable, or that perhaps the results are not what you were looking for, or perhaps people misinterpret your work… Ask or study any great artist and I will guarantee that there was pain involved, depression, self doubt, lack of inspiration or any number of issues that come hand in hand with the process of creating something. It is usually a deluge of toil… Some struggle, in the effort to experience something great, to catch a glimpse of something Godly, but if we were only to start with God first, and move from there (from Him), from that place of rest, and then explore the labyrinthine garden we call Art. When exploring something such as creativity itself, then perhaps, is it not best to start with familiarizing ourselves with the inventor of the thing we wish to explore; in this case the Creator himself? "The true work of art is but a shadow of the divine perfection." As we look at the world of art, some might say that we are in trouble… its as if years ago we’d entered the fantastic abstract world and started exploring, but now it feels that, much like the world itself, there’s very little that has not been seen or explored, that art (like the world) is over explored, and there’s very little mystery left. Its like we’ve somehow found the walls or the outer borders of this world as we struggle to find new mediums to explore. We cannot go sideways or forwards or back without revisiting where we were, so perhaps all that's left is to go up or down... But perhaps, if we change the way we see things, change our vantage point, we might see this world differently. It feels like many artists sense things like they’re walking through a gallery, looking around or looking out and up… but maybe we could look at things from the outside in. It may seem odd to define the art world as a confined space, as many would see it as something without limits, or that its only as limited as our minds make it to be… but my view is that art exists outside and apart from the human mind, “it” was there before us, it is beyond us… Art is beyond expressionism, or application of human imaginative capability, or “creative activity”… I would propose that it is a means to access or reach into something which is essentially greater than us all. I mean just think, Art imitates life, art cannot exist without it, and we are fearfully and wonderfully made... Our form, our appearance, our design, is a work of sublime art, hence we are to change our thinking, because we are exploring something that we ourselves are a part of, revealing and understanding our place in it... Creation! * - This writers opinion . . . Thanks to Filmmaker and writer/poet David Martinez Romero, I’m privileged to introduce many of you to another talent from Spain, photographer Juan David Cortes. As with any artist, their words inevitably are echoed best and loudest within their body of work, but attached is a brief Q&A to get to know the man behind the camera. What binds us all, is the element of ‘story’, and as the saying goes “a picture says a thousand words”, mainly because every image communicates a different message to each new set of eyes. A common theme among photographers is that their work is simply a perception and interpretation of life, and within this dynamic we find different meanings to lend more resonance to our existence. One could look at it this deeply, or you could peruse the photos just to find something beautiful and interesting, because what would the world be like without these elements and finer details? I chose to display this first image, because I lived it just last week... Enjoy! Q & A with Juan David - [Darkened text are Juan David's words] 1. What model camera do you use/what would you like to use in future? I use several cameras. A digital slr (5D mark II) for assignments and some specific personal work, for all the rest I use film cameras: 35mm reflex Olympus OM-1 and eos 5, 35mm rangefinder Canon 7, and medium format Bronica. I´ve never thought what camera I would like to use, I think each work needs it´s own tools, so one that I feel comfortable with. 2. It's different with every artist, but if there is one, then what is the most striking/vivid/favourite photo you've ever taken? And partnered with that, what is your favourite subject - some photographers, like landscapes, nature, movement...? I can´t choose a favourite photo, every photo has it´s particular mood, moves some feelings and doesn´t move others. I mean that the pictures among my own that strike me today are not the same that will do tomorrow. I like the fact that there´s always some discreet and subtle photos that eventually become “chosen” and some striking and powerful ones that you get eventually tired of. 3. When did you realize you wanted to be a photographer? One day, when I was 23 or 24, watching the photos that a friend has taken in a travel. I felt as if I was watching photos for the first time. Looking at his pictures (Marcos Bauza great and inspiring photographer) I felt something hard to explain, but that could be said that life will be much more interesting with photography in it. Later on, I realised that while I have photography I will never feel alone or meaningless, It provides me a place in the world. Later on I discovered that It´s like living with a highlighter pen used to express your opinion in an metaphoric way, more instinctive and at the same time more open and more accurate. 4. How has photography changed the way you see the world? I don´t think that it has changed my way of seeing the world, beyond that now I pay attention all the time to light and composition, even when I don’t have a camera with me. I think that photography is used from inside to outside, to express more that to see. 5. If you were not a photographer, then what would you be (also, what was your ambition when you were a little boy, since I believe photography could not always have been your passion)? When I was a little boy I wanted to be a sea biologist, I was a sea life freak. When I was six or seven my dad bought me a five-volume sea world encyclopaedia and practically memorized it. As an adult I think I would like to be a carpenter. I think a good phrase is very similar to a good photo... “God is among pots” “It´s not the mountain ahead that wears you out, It´s the pebble in your shoe.” - A Chinese proverb that I first heard from Muhammad Ali. Regarding the photos… I´m not going to pick any [favourites], just tell you that the most personal works in my web are “rhetoric”, “summer is almost gone”, “przewalskii” and “yerma” which is a work in progress... *** [All images are Juan David's and are used by his permission. The captions refer to the name of the respective series'. The one image without a caption is from Tumblr] Muchos Gracias Juan David! Article by Steven Benjamin I've heard it said that there are three types of men in the world (intentionally generalizing and painting us with very broad strokes); worldly men, religious men, and men of God. The first is those who are subject and governed by worldly things and desires, the second are those who practice religion but live worldly lives (riding the fence so to speak), the third are those seeking God in earnest (still fallible and not without sin or immune to temptation, but who truly and humbly seek God and live for Christ.) Finding the nude through the lewd, with Faith It’s a tricky thing, narrowing this topic down in one article, but I’ll try to zero in on the basics, though there’s enough material here to write a thesis and more. It’s always been difficult to differentiate, especially in the photographic arena tiptoeing through nude-Art, sensuality and sexuality. It’s one of the reasons that any topic involving sex or bare flesh, has been shunned by the church for so long, and that neglect, when looking at the current state of society, well let’s just say it’s telling… These days (in the modern age), the vast majority of men have seen or ‘experienced’ or ‘been exposed to’ pornography at some stage or level. But is there a need to differentiate between the mediums, to find when something actually becomes pornographic, – In short, yes there is. Of course this issue/debate is subjective, but there are discernible lines, however faint they may be at times, made so mostly by the people involved in it – in the making and perceiving - and it is important to find these lines. Many ultra conservatives in the church have a blanket regard for anything involving sensuality and nudity, and see it ALL as sin, actually, not just sin, but SIN – THE Sin of all SINS, because some still abide by the belief that there are varying degrees of it. But of course the Bible outline’s it quite simply, that everything that is not of faith is sin (Rom 14:23). I was given a word by a total stranger some time ago whilst going through my own encounter with pornography, that I should “stop doing whatever is not of God”. Now, as God has been working in me, I must highlight that it was interesting that the message was worded in this way. In my experience, when someone has a God sent word for you, it’s usually quite specific… and this got me thinking (something I do very well), additionally, it set me into a pursuit - of what? A pursuit of the truth. But why is this issue important? Simple - It is Fundamental. – It is a fundamental struggle of man, as God reminded me, when ‘taking me’ back to the beginning to the Garden of Eden. This though, was sparked by a question I had had since I was a teenager, to which I already knew the answer, that of; Can a man love [a] woman more than God? I simply needed to understand why I knew the answer was [of course] ‘Yes’. Check your halo’s, harps and clouds at the door... The truth is that our ideas and imaginings of heaven have always been quite conservative, measured to earthly things and dictated by commercialized media. Or many times heaven is represented as just the best the earth currently has to offer, but surrounded by clouds, which is cool maybe for like, an hour or two, maybe even a day, but what then? It seems a bit empty because many or most people don’t take heaven or the possibility thereof, that seriously. Another truth is that we simply cannot comprehend eternity. So what then for those of us who do take this issue seriously; how do we wrap our minds around it to appropriately adjust our perceptions? Firstly, what have we learned from God in our time here on earth? What notes do we have pertaining to the Almighty's personality, his creative design etc? When looking at the purest things on earth, the purest and most beautiful things this world and life has to offer, what incentive do they provide with a view to the “beyond” in mind? I believe heaven will include all these things, simply amplified in ways unimaginable… but let’s not allow that word unimaginable to get in our way – as we’re encouraged to believe in things unseen… the reason I say that heaven will include these pure things, is simply because they came directly from God. Yes we will worship God, but it won't be like any church service you may or may not have attended. We're meant to worship God in our everyday lives (living sacrifices), so heaven will encompass all the elements that God delights in here on earth. [WARNING: NUDITY AHEAD!] The struggle in this world is to reclaim intimacy with God; to develop our relationship with him. When you look at God’s design of marriage, and the two bodies that make up the union, we learn about God’s romantic and sensual nature (Two elements we need to remind ourselves that he invented – he is literally the God of sex). But looking more objectively - Woman: the crown of all creation, the first of her kind (since there is no gender in heaven due to there being no need for procreation – hence no 70 virgins either by the way) is a most intriguing image of sensuality and beauty. She is yet another picture of a certain side of God. When God made man, he took him through a vast untamed land, a wilderness, before leading him to Eden… So in this way we learn of God’s beauty within the mystery of adventure. Can you imagine what earth looked like in the early days, zero pollution, the air clean and pure, not one impurity in the waters nourishing the vast untamed landscape, teeming with life… it is an invigorating vision. So far we have many basic alluring ingredients all located at the beginning of creation lending some colour and hints into what is to come in the hereafter. We serve a God who is in love with us. He is passionate, he is mighty with a voice loader than thunder… he is a frightening prospect when taking from the images the Bible lends us. Hence C.S. Lewis using the image of a Lion (Aslan) in Narnia in his representation, with little Lucy Pevensie constantly wanting to hug and nestle in his mane, whilst still retaining the knowledge that this is a powerful and untamed beast – fear born out of respect (and what the term “God fearing” entails). And yet we speak of the same God who created sunsets and sunrises, mountainous reflections in lakes, the Aurora Borealis, the human orgasm, an infectious smile, music, dance, rainbows and erupting volcanoes, waterfalls and the entire universe with comets, nebula's and the explosive beauty of a dying star. *** Can we ever know what heaven will be like without ever having been there? Is this why he gave us the ability to have dreams, why we have an imagination… to gain further access to this other world, this other realm, gaining better grasp and clarity of his will and his vision. Let us pause for a moment to contemplate heavenly things. In the Bible, every Angel or heavenly being that appears on earth, invariably opens with the line of “do not be afraid”. Now ask yourself why… Imagine the scene, place yourself there. A great and astonishing light manifests in your presence and an audible voice emanates from it. Everything that arrests your senses at this moment, is otherworldly. You’re encountering something spiritual, something supernatural. This would shock anyone, even the staunchest of believers, simply because it apposes our very nature, and nothing on this earth (save perhaps for the Word of God - the Bible) can fully prepare us for such an encounter. [Click HERE for my Bible Book Review.] “There the angel of the Lord appeared to him in flames of fire within a bush.” – Exodus 3:2 (NIV) The Supernatural world is literally frightening to our natural earthly selves and shatters our perceptions. To make us understand the imagery the Bible uses things like rumbling, thunder and blinding light in the descriptions of heavenly creatures, with huge audible claps accompanying every flap of their wings. Side-note: (the Biblical word ‘Seraphim’ means “burning ones” – and taking the literal form of burning, the temperature of flames dictate its color,the hottest of which, is white… from yellow to red to purple to blue and finally – white heat). Also, in metallurgy, fire and heat is used to purify the metal, hence the colour and symbolism also denotes the purity of the Angels. In Genesis 3:24 the Cherubim (yes the same angels for which the little archery baby angels of valentines fame derive their name) Angels are described with flaming swords guarding the gate of Eden, inspiring fear and even dread. It was they, the Cherubim who brought down judgement on Jerusalem’s fallen people in Eze 10. These creatures are complex and strange (to our minds eye) creatures bearing no resemblance to the angelic figures conjured by by the majority of contemporary media. “… from what appeared to be his waist up he looked like glowing metal, as if full of fire, and that from there down he looked like fire; and brilliant light surrounded him.” – Ezekiel 1:27 (NIV) Of course applying this to our adult minds, well… as children we were always more adept and receptive to these otherworldly concepts, because as we grow older we seem to cauterize the capacity of our imaginations, seeing certain ideas as immature or irrational. Many are prompted to simply dismiss the supernatural – we are after all talking of things which are not human. If there is one thing we can say about all these visions, is that they are NOT tame. When people talk of being “God fearing”, it is in reference to the literal power and might of God. Here is a being who spoke the world into being… And yet, he loves you. He wants to spend time with you. He wants you to make the choice to love him, because within the DNA of creation, is a story of love and romance, adventure, beauty and purity. * And so, having touched on what heaven could be, we've also glimpsed the other side. So what of it… What is hell? Hell; there are many versions of it, judging by what we’ve seen here on earth, but in eternity, I feel that it is simply abandonment. Being alone in eternity. Cut off from anything and everyone. God loves us, and has offered his love to us freely, but many of us have shunned it. So when it comes to eternity, those who chose to, will be shunned by God. Spending eternity in solitude, deserted. Hell is the Abyss… it is nothing, it is the torment of abandonment, solitary confinement, but the opposite of that – infinite solitude, like being lost in space but without the reference of stars or planets. It is infinite darkness… “What is hell? Hell is oneself. But not to leave you on that note; Considering Lucifer, if we look at all of creation, we see the context. One must look at the greater picture, the whole story. Central to that story, is the fracture in heaven. Just think, the majority of Jesus’ miracles were to do with healing, and to be saved is to be “born again” in spirit… and God said in Rev 22 that effectively Eden, will be restored. Overcoming death (which was never a part of creation), healing and restoration are keynotes (to say the least). When God started the human story (our side) it was a new beginning of hope for what had transpired before, of restoring what was lost in heaven. But to do that, he needs souls who choose him, souls who will love him truly, deeply. Hence reclaiming the intimacy with God, lost in the Garden of Eden (yes this story haunts us), but made available again, afforded to us anew by the sacrifice Jesus made by allowing himself to be nailed to a cross and suffering our fate: death... Dying for someone, taking their place and giving everything for that person, no matter what their attitude or resolve, in all our sin and shame - this is the ultimate expression of his love for us. * “It is as hard to explain how this sunlit land was different from the old Narnia as it would be to tell you how the fruits of that country taste. Perhaps you will get some idea of it if you think like this. You may have been in a room in which there was a window that looked out on a lovely bay of the sea or a green valley that wound away among mountains. And in the wall of that room opposite to the window there may have been a looking-glass. And as you turned away from the window you suddenly caught sight of that sea or that valley, all over again, in the looking glass. And the sea in the mirror, or the valley in the mirror, were in one sense just the same as the real ones: yet at the same time they were somehow different - deeper, more wonderful, more like places in a story: in a story you have never heard but very much want to know. The difference between the old Narnia and the new Narnia was like that. The new one was a deeper country: every rock and flower and blade of grass looked as if it meant more.” Here you have the creator of the entire universe, whose splendour is for all to see… so ask yourself: what’s Heaven really like? Merry Christmas! {Image credits: Pinterest.com, scout.cheatsheet.me, yooperpage.blogspot.com, iliketowastemytime.com, helpyourselfimages.com, www.beautyscenery.com, intothesunrise.blogspot.com, www.tripadvisor.com, celebritiesinview.com, www.theguardian.com, www.freewallsource.com, commons.wikimedia.org, wallroro.com, imgarcade.com, pixgood.com, creative-universes.wikia.com, thefaithpal.blogspot.com, vulgaire.com} Related Reading: Artist Feature "Eldorado. Actually, it is 8 years old. But it did not become an independent brand until the second year, so you could say Eldorado Entertainment started 6 years ago. Eldorado Entertainment was my first project as an entrepreneur/ producer/ director. I am not sure what will come of it in the future: I believe I will make only fiction out of it, I mean, if I am lucky: tv series and movies. On the other hand, The Homo Artifex Project is the main project, very soon my new company, and I will base its business model on two directions: one, tv spots, virals, commercials and other stuff for clients; two, Homo Artifex, an internet video channel in which I will publish videos about artistic processes and many other things related to arts, science and philosophy. But The Homo Artifex Project is still developing into a proper company. My objective: launch the channel before the New Year and make it a profitable company this very year, Already working on projects on demand by new clients. You will see some of them very soon." - statement by David M. Romero Showreel 2010 from Eldorado Entertainment on Vimeo. And speaking of Homo Artifex, here's the latest video "Glede" Introduced as such -- While the official presentation of Homo Artifex presents the theme of 'in the distance', we had the opportunity to participate in a particularly interesting project, and put it to video; a gathering of musicians of Norwegian and Spanish jazz, we have called "Glede" (joy ">, in Norwegian). I hope you enjoy it, as it also serves as an incentive, for the expectation of the arrival of our next work. Glede from Eldorado Entertainment on Vimeo. Another recommended video by David Martinez Romero, showcasing his directorial work... ***ANNOUNCEMENT***: Steven Benjamin will be away for the month of August, so there'll be no Blog updates till September. God Bless! |
[Banner illustration by Joel Kanar]
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